The Book also emphasises on the end of the economic growth. Most notable, however, is the character Meredith Logue (Cate Blanchett) who is pivotal to the film but doesn't appear in the novel. Could you recommend some more books written either by directors or cinematographers; thanks All rights reserved. Read, watch our video supercut, stream an unfamiliar movie or two, argue, and recognize the names on our list for the great filmmakers they are. Every item on this page was chosen by an ELLE editor. This will be on the test: Reese Witherspoon produced the film and intended to play Amy, but David Fincher told her she wasn't right for the role. Admittedly, we shouldn't have to publish this article. Key difference: The book delves even deeper into the inner lives of the women in Celie's life and paints a more complex picture of the relationships they share. Total number of black-directed films among the 1,000 movies on those lists? Back cover blurb: At the height of the Civil War, the March sisters, including aspiring writer Jo (Saoirse Ronan), come of age, find and lose love, and test the bonds of family. This will be on the test: The King novella also included the source material for the films Apt Pupil and Stand By Me. Tolkien's 1954 fantasy novel, part of the Lord of the Rings trilogy. Based on: J.R.R. The Wizard of Oz is based on a book written by L. Frank Baum by the same title. This will be on the test: After Richard Harris, who played Dumbledore in the first two Harry Potter films, passed away, Ian McKellen was offered the role but turned it down. Back cover blurb: After experiencing sudden destitution, Elinor Dashwood (Emma Thompson) and her sister Marianne (Kate Winslet) try to change their fortunes through courtship. It was really a charmed experience for us, it was very surreal.” The size of the movie clearly plays a big part in the pressures. Theo (Clive Owen), a cynical former activist, is conscripted by his ex-wife (Julianne Moore) into helping to secretly transport a pregnant refugee (Clare-Hope Ashitey). Recommendation. A remake of the 1932 film of the same name, it tells the story of Cuban refugee Tony Montana (), who arrives penniless in 1980s Miami but would go on to become a powerful drug lord. Key difference: Goldman, who also wrote the screenplay, adjusts the framing story and removes himself from it. Films like Daughters of the Dust, Killer of Sheep, Tongues Untied, and Fruitvale Station deserve to be considered alongside the artistic masterpieces of the past century in cinema. ALLIES. Key difference: Though they still author the Amazing Amy books in the film, Amy's parents play a much smaller role in David Fincher's film. This will be on the test: Thompson wrote the screenplay intending for another actress to play Elinor. Thus begins the director’s gut-wrenching autobiography, initially published in 1971, but as powerful today as it was then. When productions are adapted from sources such as books, directors often have to make decisions about what will work in the production and what needs to be changed from the original book ver-sion. Back cover blurb: Tom Ripley (Matt Damon) falls under the sway of socialites Dickie Greenleaf (Jude Law) and Marge Sherwood (Gwyneth Paltrow) while in Italy on an assignment from Dickie's father. And it helps cement the expectation that whiteness is somehow as “universal” in art as so many believe it to be in life. He's counseled by fellow prisoner Red (Morgan Freeman in an Oscar-nominated performance). Guillermo del Toro was born October 9, 1964 in Guadalajara Jalisco, Mexico. The film follows Andy as he tries to survive cruel Shawshank State Penitentiary. 2019 The Slate Group LLC. That really isn’t that much money and no one has a career in Hollywood as an “idea” person just making their living coming up with great ideas. We must recognize that even with the financial and systemic odds stacked against them, black filmmakers have long been creating great and riveting stories on screen. I think trying to get your book made into a movie doesn’t offer you much up side. This will be on the test: The horses in Emerald City were colored with Jell-O crystals. Research the differences and similarities between the book and film versions of The Wizard of Oz. This will be on the test: There were actual high school classes going on in rooms adjacent to the ones director Alexander Payne used for filming. 6. W. Kamau Bell: comedian and podcaster (Denzel Washington Is the Greatest Actor of All Time Period) When productions are adapted from sources such as books, directors often have to make decisions about what will work in the production and what needs to be changed from the original book version. Based on: Michael Crichton's 1990 sci-fi novel. Back cover blurb: Dr. John Hammond (Richard Attenborough) creates a theme park in which genetically cloned dinosaurs roam. Key difference: The ending of the film is very different from the book (no spoilers! Charles Burnett: director (Killer of Sheep, To Sleep With Anger) This will be on the test: Cary Elwes and Mandy Patinkin performed all of their own sword fights. Stephane Dunn: film scholar Todd Boyd: film scholar Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits Back cover blurb: Elio (Timothée Chalamet), a precocious 17-year-old, falls for Oliver (Armie Hammer), his father's 24-year-old graduate assistant, during one whirlwind summer in Italy. Back cover blurb: Harry Potter (Daniel Radcliffe) spends his third year at Hogwarts School of Witchcraft and Wizardry tracking the mysterious story of Sirius Black (Gary Oldman), an ally of He Who Must Not Be Named and a prisoner in Azkaban. Screenwriter Tina Fey used Wineman's observations about teenagers and the effects of cliques on girls as inspiration for the events in the film. Ripley's admiration accelerates quickly and dangerously as he moves from ingratiating himself in their lives to trying to take them over. #OscarsSoWhite wasn’t—isn’t—only about a stuffy institution failing to recognize work by people of color. Ada M. Babineaux: co-founder of The Black Filmmakers Network The best book on filmmaking is 'ON FILM-MAKING' by Alexander Mackendrick who directed classic films like 'Sweet Smell of Success,' It consists of some of the lectures he gave at Cal Arts when he ran their film school so perhaps it runs counter to this idea that film school is not worth going to. To change Hollywood, it’s important not only to look forward but to look back. Through that I found out about Renoir's and am gonna read that next. Julie Dash: director (Daughters of the Dust) ... His first Bollywood film Raqeeb was released in 2007 but it tanked at the ticket counters. Career: Financed early screenwriting with truckdriving; first professional film job as special effects man and art director for Roger Corman, 1980; set up production company, Lightstorm Entertainment, 1990; co-founder and CEO of visual effects company Digital Domain, 1993; True Lies first film to cost over $100 million, 1994; Titanic first film to cost over $200 million, 1997. Why you should read it: Most filmmakers starting out have no money, and it’s music to the ears to learn you can still make it big if you’re going the indie route. The result: Slate’s Black Film Canon. He invites his grandchildren and some scientists to tour the facility in advance of its opening. Forget film school — you now have 10 books to read, reread, and memorize before you go out there and make your movie. Key difference: Many characters in James' novel are changed or omitted, including Julianne Moore's Julian, who is a combination of two novel characters. But you should also consider this list an argument for a broader notion of what constitutes a “great” film—after all, many of the movies that have shaped black culture (and the broader American culture) don’t easily fit into the templates of auteurist, art house, or studio “quality” favored by the typical list-makers. The film made it easy for readers of the book to misunderstand what it was about, and the misunderstanding will pursue me till I die. When Kathryn Bigelow collected her Oscar trophy earlier this year, she did so as only the fourth woman ever nominated in the director category. Based on: Alice Walker's searing, seminal 1983 novel. ELLE participates in various affiliate marketing programs, which means we may get paid commissions on editorially chosen products purchased through our links to retailer sites. Steven Boone: film critic This will be on the test: Christopher Lee actually met J.R.R. My library Despite everything, black filmmakers have produced art on screen that is just as daring, original, influential, and essential as the heralded works of Welles, Coppola, Antonioni, Kurosawa, and other nonblack directors. Based on: A 1992 novella by Stephen King entitled "Rita Hayworth and the Shawshank Redemption.". Back cover blurb: Amy Dunne (Rosamund Pike) has a seemingly perfect suburban life and the seemingly perfect childhood—as illustrated in a successful line of books written by her parents. This will be on the test: In 2020, Aciman published a sequel to the novel titled Find Me. Based on: Rosalind Wineman's 2002 non-fiction self-help book Queen Bees and Wannabes, about high school social dynamics. This will be on the test: This was Whoopi Goldberg's first film and she received her first Oscar nomination for it. Keith Corson: film scholar The Wizard of Oz is based on a book written by L. Frank Baum by the same title. Paula Massood: film scholar Based on: André Aciman's 2007 coming-of-age novel. Back cover blurb: Ambitious high schooler Tracy Flick (Reese Witherspoon) wants to be student body president but is sabotaged by her teacher (Matthew Broderick). 6. Key difference: Where to start…actual screenwriter Charlie Kaufman takes huge, hilarious liberties with Orleans' rather straightforward story of the arrest of John LaRoche, inventing a love affair between author and subject and giving himself a twin brother who does not actually exist. Ava DuVernay: director (Middle of Nowhere, Selma) The first film book I ever bought – or nagged my parents to buy me – and still a model of genre history/criticism, teasing out bigger narratives from the mosaic achievements of individual films. A genius of modern Russian cinema and one of our favorite directors here at Lights Film School, Andrei Tarkovsky is esteemed for his intensely personal creative vision. 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